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The 19th century music critic Eduard Hanslick argued that music could be enjoyed as pure sound and form, and that it needed no connotation of extra-musical elements to warrant its existence. In this respect, music has no extra-musical meaning at all and is enjoyed by appreciation of its formal structure and technical construction.
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Formalist debate įormalism is the concept of music for music's sake, or that music's 'meaning' is entirely in its form.
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According to Richter, music would eventually 'outlast' the word. These thinkers believed that music could be more emotionally powerful and stimulating without words. In this respect, instrumental music transcends other arts and languages to become the discourse of a 'higher realm', an idea expressed in Hoffmann’s review of Beethoven’s 5th Symphony, published in 1813. Hoffmann gave rise to the idea of what can be labeled as "spiritual absolutism".